床战闺蜜
裝置藝術家景勳為了束草市文化的工作來到了束草。為協助人生地不熟的景勳，擔任地陪的市府負責人恩秀與景勳一同巡視。在晚上的酒宴上，恩秀帶著朋友真京出席，擁有藝術背景的景勳和真京意氣相投，在酒精的催化之下，彼此產生了情愫……
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剧情提要
裝置藝術家景勳為了束草市文化的工作來到了束草。為協助人生地不熟的景勳，擔任地陪的市府負責人恩秀與景勳一同巡視。在晚上的酒宴上，恩秀帶著朋友真京出席，擁有藝術背景的景勳和真京意氣相投，在酒精的催化之下，彼此產生了情愫……
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上身
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带观众走入衰败中的欧洲，来一趟超凡之旅。集结了黑色幽默和奇幻故事，讲述一群人在碰上了一位陌生人之后，他们的生活开始崩坏。
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster