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美食甜心勾勾柜台上边就不放你走
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王天野,景岗山,三浦研一,任悦鸣取款机杀人夜
爱丽丝·伊芙,乔希·佩克,布莱恩·格拉格提,阿隆·休斯,奥马尔·可汗,威尔·沃伊托维希,格伦·汤普森他们之后的孩子
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迈克尔·帕尔,杰森·R·摩尔,Ellie Patrikios,Denitza Diakovska,Neil Cole,Paolo Mazzini,John Stewart Arnold,Ivan King超凡世界
约翰·迈尔斯,Géza Röhrig,迈克尔·古尔德,海莉·卡迈克尔,奈德·丹内利,赫立德·阿卜杜拉,艾力克·高敦,塔尼娅·雷诺兹,塔格·墨菲,扬·贝弗特,凯特·迪基,萨姆·卢维克,阿德里安·劳林斯,Slavko Labovic,乔纳森·凯斯,伯恩·戈曼,西蒙·曼勇达,蒂姆· 普莱斯特,道格拉斯·罗素,拉多米尔·尼科利奇坏继母
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伊沃克人：为恩多而战
Wilford Brimley,Aubree Miller,Siân Phillips玄机卫之镇国神鼎
贺刚,袁福福,李梦颖,刘林城,寇振海,老羊,晓凡,阳蕾陌生人：第二章
蕾切尔·申顿,理查德·布雷克,玛德莱娜·佩切,弗洛伊·格特瑞兹,布鲁克·莉娜·约翰逊,弗洛里安·克莱尔,贾妮斯·埃亨,杰米·泰勒·巴列斯塔,佩德罗·莱安德罗,布莱恩·劳,萨拉·弗里德兰,J·R·埃斯波西托,帕布洛·桑德斯特罗姆正义联盟：无限地球危机(下)
凯缇·萨克霍夫,迪恩·文特斯,马克·哈米尔,寇瑞·斯托尔,雅士利·伯奇,布莱恩·布鲁姆,布雷特·道顿,凯文·康瑞,杰森·斯皮萨克,艾尔西亚·罗塔鲁,辛希亚·卡耶·麦克威廉姆斯,尔玛·泰勒导演精选
麻雀女王追男仔
龍家村村長龍卷峰（許紹雄飾）育有三女一子，分別名叫龍小東（高海寧飾）龍小南（陳靜飾）龍小茜（郭佩文飾）和龍小北（文佐匡飾） 大家姐小東是連續五年晉身最佳業績的百萬元桌級經理。外表事業女王的小東卻是一個「天生麻將狂」，更偏偏戀上科學家男友馬壯（馬國明飾）馬壯對小東情深一往，只是他一世人最憎人打麻雀，為了不讓愛郎失望，小東竭力隱瞞自己是麻雀狂的真相 二妹小南攻讀戲劇，畢業後當不了演員，卻在片場擔任「親密指導員」，遇上了躁狂影帝千紅哥（陳家樂飾），二人對戲劇追求南轅北轍，但兩個火星撞地球的人偏偏在相處過程由歡喜冤家變成擦出愛火花。 三妹小茜一天竟被小北老闆，胸圍廠太子爺林雨雲（李尚正鉓）落力追求，以為大團圓結局之際誰知真相峰廻路轉，小茜和雨雲相愛背後，其實也暗藏一個驚天秘密。 三對男女，情場上各有各精彩，如何收科？
婚姻故事
讲述了结婚多年并育有一子的戏剧导演查理和女演员妮可因工作分居而不得不走向离婚，在这场为了争夺抚养权的离婚拉锯战中，关于爱情、婚姻和家庭真实感人的细枝末节牵动人心。两人的关系又将何去何从？
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.