奶羊白衣短裙浑身欲火

一个害羞的大学生和他鲁莽的室友开始了一个简单的任务去拿披萨，但在服用了一剂奇怪的令人心智的实验药物后，他们陷入了一个混乱的夜晚，荒谬的遭遇、疯狂的幻觉和意外的启示，这些启示可能会永远改变他们的生活。

　　故事讲述了一个简单又骄傲的牧场主，为了经济利益和儿子一起谋杀了妻子。而在埋葬其尸体时，他发现自己被老鼠恐吓，并确信妻子并没有放过他！

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　一名腐败的新奥尔良侦探在放风时陷入两个犯罪团伙之间的战斗中。为了在夜晚生存下来，他必须找到一名杀手，并在凶手到达其他目标之前将他带走