剧情简介
When Luna, a battered wife, and Bela, an empowered artist, meet for the first time, their hearts will be freed by the people and society that chain them艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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麦卡托·骑士
水泽林太郎,须贺健太,恒松祐里,新木宏典,弓木奈於人气女作家（恒松祐里）向恶名昭彰的私家侦探麦卡托（水泽林太郎）提出调查委托，称“自己可能正遭人追杀”。每天送达的神秘扑克牌仿佛预示着“杀人倒计时”，这究竟意味着什么……？麦卡托与他的助手兼作家美袋三条（须贺健太）的推理锋芒毕露——。
星途恶果
基努·里维斯,乔纳·希尔,卡梅隆·迪亚兹,马特·波莫,大卫·斯佩德,艾薇·沃尔克,凯雅·基伯,拉弗恩·考克斯,肖拉·阿德乌斯,苏珊·卢琪,卡里·克里斯托弗,冈冢敦子,Carlos Carrasco,韦尔克·怀特,尼古拉·尼克拉斐,埃文·沙夫兰,克里斯·里德,Paul Bartholomew,T.C. Amos IV,小罗伊·伍德好莱坞明星Reef Hawk（基努·里维斯 饰）被人以一个神秘视频进行勒索，形象和职业面临崩塌，他必须深入探索自己心中隐藏的恶魔。在多年好友Kyle（卡梅隆·迪亚兹 饰）、Xander（马特·波莫 饰）和应对危机的律师Ira（乔纳·希尔 饰）的帮助下，Reef展开了一场自我反省的旅程，要去补偿任何他可能辜负过的人，想搞清楚勒索者是谁。面临自己的过去，才能拯救自己的未来。
变异双头蛇
陈堃,莫佳荻,韩阳,武雨晴,王黎林宇与三名女孩遭遇空难，不幸流落至一座荒无人烟的孤岛，刚上岸便遭遇一头凶猛的变异双头蛇袭击。危急时刻，容貌靓丽、身手矫健的当地女土著颂雅及时出现，凭借对岛屿环境的熟悉，成功引开双头蛇，将四人救至一处隐蔽山洞。在艰难的孤岛求生中，林宇作为唯一的男性主动守护众人，朝夕相处间，他与四名女孩渐生情愫，陷入了两难的感情纠葛。好景不长，思瑶惨遭双头蛇伏击吞噬，若琳也不幸遇害。悲痛之下，林宇、婉晴与颂雅联手，借助颂雅祖辈流传的经验，摸清毒蛇怕强光和特定植物汁液的弱点，巧用简易工具设下陷阱，最终成功消灭双头蛇，林宇也找到情感的归宿。
大明嫔妃之反攻
宋洋,何杜娟,朱一龙,陈一诺,关慧卿,王艺曈,王春妹因为太子在“朝鲜之役”上所表现出的高瞻远瞩的智慧，万历对太子的态度大大改观，率众人到太子府看望自己的皇长孙。宴席之上，三皇子主动要求速速离开京城，到洛阳就封，众人大感疑惑。辞行宴上三皇子早早酒醉，原来是想借此机会带姚芊芊私奔，不想被金碧瑶破坏。知道三皇子和姚芊芊私情的王恭妃决定有所行动。王恭妃设计让金碧瑶假怀孕，姚芊芊在郑贵妃的胁迫下打算除掉金碧瑶腹中骨肉，却掉入王恭妃的陷阱。王恭妃以“善妒”为由，废掉了姚芊芊的太子妃。而一时间关于太子妃红杏出墙的传闻又弥漫京城，万历要王恭妃彻查此事，王恭妃巧妙的将太极推给了郑贵妃，姚芊芊命悬一线，而郑贵妃面对王恭妃步步为营的反攻，已回天乏术，她打算弃车保帅……姚芊芊驾鹤西去，三皇子悲伤不已。郑贵妃准备杖毙朱由桦。兰心为了保孩子周全，不惜与太子吵架。太子生气之下和梅儿一夜缠绵，认为梅儿是最懂他的人。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
怪谈晚餐
朴昭怡,刘多仁,尹贤旻,张光,李周英,金周灵,高恩敏,李素英,吴承姬,张睿恩,张丞延,金太竣,潘素英,申银秀,金浩贞,金东英,申文成,金太勋,赵在允,崔秀林,朴真雅这部电影将六个故事组合成一个综合系列，描绘了由于人类错误的欲望而发生的奇异事件。
母鸡2025
雅尼斯·科基亚斯梅诺斯,玛丽亚·迪亚科帕纳约图,阿吉里斯·潘达扎拉斯,马赫穆特·巴梅尔尼,克罗尼斯·巴巴里安,安东尼斯‧卡非祖罗普斯,尼克斯·凯提斯,迪米特里斯·佩雷吉斯,安东尼斯·齐奥齐奥普洛斯一只莱亨鸡从冰冷的工业化养殖场逃离，踏上未知的流浪之旅。它闯入一家家族经营的小餐馆，在鸡舍中找到栖身之所，这里却暗藏人口走私的黑暗交易。母鸡一心筑巢繁衍，为守护未来的蛋对抗贪婪的餐馆老板，在生存本能的驱使下步步为营。与此同时，餐馆里的人类故事暗流涌动，一场悲剧正在悄然上演，母鸡的母性抗争与人类世界的残酷现实，在同一屋檐下交织上演。